Tame
Impala / Melody’s Echo Chamber
Hammersmith
Apollo, London, Tuesday, 25 June
In December 2012, space rock stars Tame Impala announced that they were to play a one-off, Glastonbury
warm-up show, at London's Hammersmith Apollo. Standing tickets sold out as
quickly as you can say 'Kevin Parker', and seated tickets didn't stay sat down
for too long either, for they left ticket stalls pretty swiftly too.
Reaching the venue early, we joined a long line of excited
fans. As I looked around, I recognised many boys sporting classic Tame Impala styles: long middle-parted
hair, snoods around their necks, headbands, the whole Tame Impala shebang. As the clock struck 7:00pm, the fan community
rose at once to their feet, and one by one marched into the venue. Racing for a
pee, and then heading straight into the standing area, we anticipated the
band's, 'special guests.'
No surprise, support came in the form of Melody's Echo Chamber (aka Kevin
Parker's g-friend and her band), which made total sense, considering both bands
later that week would be heading to the big Glasto. After Melody Prochet's
previous band My Bee's Garden supported
the headliners back in 2010, the French-lass collaborated avec Tame Impala's main-man Kevin Parker to create one of the finest debut's of 2012.
She and her band eased the crowd into an adventure of dream pop, preparing the
audience to be launched into it later. There's something about Melody's Echo Chamber that pulls them
apart from the rest of psychedelia groups. It could quite be her whispy French
accent, or the fact that the band's line up is so mismatched that they ooze
with quirkiness. One song in particular was a highlight from the set. Crystallized, which the singer dedicated
to her beau. The song itself, is coated in a distressed sound, whilst Prochet's
eerie vocals float about. In comparison to many of their other tracks, it
provides a heavier beat, enabling bodies to ripple and heads to nod. The whole
set was completely delightful and the humbleness of the group evoked love throughout
the audience.
With the 5,000 capacity full, and the clock striking
9:00pm, the King's of Australian psychedelic rock paraded onto the stage. There
is no possible way that words can explain the kind of frenzy that the crowd
endured, all I can say is that a hell of a lot of boys were fan-girling. Screaming
from their hearts 'I'll turn gay for you!' and judging by the expressions
painted on their faces, they weren't lying. The show opened with the iconic Solitude Is Bliss taken from the band's
debut Innerspeaker. Not one member of
the crowd didn't know the song lyric by lyric. Hearing 5,000 devotees yelling
at the tops of their voices 'YOU WILL NEVER COME CLOSE TO HOW I FEEL', creates
butterflies in your belly, that will never be created again. It was
unbelievably sensational. Kevin Parker and his crew drifted from songs taken from
both Innerspeaker and latest album Lonerism. Each song is so powerful and
unique in some way or another, but still resembling the band's divine
psychedelic quirk.
Another song that stood out from the rest was the latest
single to be released from 2012's Lonerism,
which took shape in the form of Elephant.
The track itself could be argued to be the band's most famous song, and along
with this one of the heaviest. Combining these two things has produced a bit of
a TUNE for many o'folk. Groups of lads pushing and shoving, crowd surfing and
jumping upon each other's shoulders. It's fair to compare the response received
from it to none other than The Fratellis
Chelsea Dagger.
Many members of the crowd really helped to stereotype the
typical listeners of psychedelic music, by lighting up spliffs in the crowd, or
flapping their dreaded hair about with beady eyes. I saw a lot of randomers
participating in severe grinding action, then moving onto the next body
insight. Classy. One boy next to me even kept viciously itching himself then
giggling and shouting 'mosquitoes' before returning to his itching motion. I couldn't
help but wonder whether he was referring to Tame Impala's song 'Forty One
Mosquitoes Flying In Formation' or whether he had just taken something that
made him hallucinate. Either way, at least he was having fun, unlike the old
guy near me, who had stuffed earplugs in his ear holes and still continued to
cup his ears. I mean ARE YOU FOR REAL?! like dude, what did you seriously
expect?
Personally, for me, the biggest highlight came from 'Half Full Glass Of Wine.' As if this
song isn't hefty enough, being 4 minutes and 26 seconds of pure psychedelic
rock, the band chose to extend it, leaving the crowd in a sweaty mosh of
thousands of people. I can honestly say that it was the maddest 12 minutes I
have ever participated in, but yet somehow proved to be pleasurably painful.
During this, hoards of sweat-infested men crowd surfed above our heads,
half-naked bodies flopping around, both on the floor and in the sky. This song
summed up the concert as a whole, mental.
It's fair to say you know it's been a good gig when you
started at the front centre and ended up touching both sides of the Apollo, and
somehow managed to finish back in the centre.
The debut
album from the leaders of the "B'Town" movement may of been released
in March, but its spontaneity and youthful buzz carried through the summer and further
into its winter tour. Most overplayed albums gradually lose their sparkle, but
it's fair to say that 'In Love' is by far my most played album and nearly a
year later I am still not bored of it. Peace's tropically fused guitar noise is
somewhat euphoric and live it's even better. A mix of escapist, grunge, psych,
and just about everything else; the album grabs and combines influences from
some of the greats and mashes them together in the most refreshing way. Their
quirky, juvenile vulnerability echoes through every corner of 'In Love' as
Harrison Koisser describes his infatuated love in perhaps the most imaginative
way possible, whilst accompanied by plenty of oohs and aahs. 2013 has been a
massive year for the band and with their second album on the way, I foresee an
even bigger 2014 for Peace.
Released on
July 8th via Luv Luv Luv records, just before their debut album dropped in the
UK on September 2nd; 'Feels like you' presented us with yet another dose of Splashh's
revitalising lo-fi psych garage and pure summer nostalgia. There's something
that I can't quite pin-point about the track that evokes emotion and tingles
down my spine every time it's played. Whether it's the space synths or the
voiceover of the girl talking about her youth, to the plucky guitars or the
yearning vocals, I just don't know. Despite being entirely self-produced, the
spontaneous tropical beat is perfectly executed with a care-free shrug to their
fans. The 3.02 minutes of alternate psychedlia will forever remind me of
reading festival and the summer of 2013. Splashh's sunny fuzz is fresh and
addictive and clearly something to look forward to in 2014.
